This is the most wonderful time of year, isn’t it? Lights
and presents and cookies and 20-below zero—hey, two of three ain’t bad!—and music!
Christmas music! And Christmas music is a wonderful combination of all the best
and the worst of all music. It’s the calm of “Silent Night” and the sweet
ding-dong of “Carol of the Bells;” it’s the beautiful melodic canvasses painted
by “Coventry Carol” and the joyful exuberance of “Jingle Bells.” It’s so much
good stuff, and then it’s terrible songs like “Santa Baby” and “Baby, It’s Cold
Outside”—just go ahead and write off any song with “baby” in the title—and it’s
other smarmy music that I’m not going to list because odds are some of you love
it and that’s your own opinion, and, hey, we all like some terrible things.
But there is one song that has to be mentioned on this
Sunday where we read Mary’s Magnificat, because the Magnificat itself is so
stupendous and timeless and bold. Whether it’s Marty Haugen’s version we’re
about to sing, “My Soul Proclaims Your Greatness” or the “Canticle of the
Turning” or many-a-Vespers service, Mary’s words have been put to music in many
magnificent ways I suppose largely because the lyrics are so good. But there is
a bad apple—a little song that some of you love because it’s beautiful and
Pentatonix does a great version of it and it’s got a lovely melody and soaring
bridge. It sounds lovely; it’s just that the words don’t add up. I’m talking,
of course, about “Mary, Did You Know?”
Now before you call me the Christmas Grinch that I
undoubtedly am I just have to point out one little detail that jumps off the
page from the first chapter of Luke every time I hear this song. “Mary knew!” If
anyone in the Gospels knew who Jesus was it was Mary. She might be the only one
but gosh darn she knew! She got it. Her song is a testimony to a revolution
that she sees coming even when others are burying their heads in the sand.
Mary’s Magnificat is the song that the world needs. It works
for every time in history and every people; both those with power and those
without. It is first a song of praise: “My soul magnifies the Lord, and my spirit
rejoices in God my Savior” and second a song of revolution: “He has brought
down the powerful from their thrones, and lifted up the lowly; he has filled
the hungry with good things, and sent the rich away empty.” Mary’s song is the
song of a persecuted people in desperate need of redemption. It is a song
chanted at the powers-that-be, a song that signifies, in the words of the
“Canticle of the Turning” that “the world is about to change.” This is Les Mis
long before Les Mis; it’s an American plantation slave song from long before the
white man came to America. This song is on the short list of songs that best
stand for what humans stand for, and it is a testimony to how much Mary understood.
She knew what Jesus represented, but, more than that, she knew who he was. The
world would never be the same.
Still more, she also saw a bit of this future. She knew
that the revolution was not apart from history, recalling, as she did, Abraham
and his descendants. She knew that Christ meant a new world even amidst the
broken-down old one. She knew it was not going to be easy—this process of
removing tyrants from their thrones, of feeding the poor and sending the rich
away hungry. Tyrants do what they do when their throne is ripped from them—they
drop bombs, they kill people in the streets, they maim, they torture. The rich
do what they do when something is denied them—they take it by other means, they
use systems to protect their interests, they hide behind legalities. Mary knew
all this because she knew Jesus. And Jesus came to frustrate the rich and the
powerful, the kings and the princes, because Jesus testified to something
different: That great power was not enough, that riches and wealth and freedom
are not enough; that the only party that keeps rocking when all other parties
end is one that leads through the place the rich and the powerful are running
from.
Mary knew, as Herod proves in Matthew’s account of Jesus’
birth, that tyrannical leaders fear nothing quite so much as a rallying cry of
hope. They fear a baby more than a sword. And yet, they do not even know why.
They fear Mary’s revolution-language, not understanding its humble, fragile
nature; it’s dependence on self-sacrifice. They fear that power may be taken
from them when they should fear the power they already have. They hear Mary’s
song as a threat, but Mary understands the promise of joy in the morning. She
knows what it is that she carries—it is the hope of all of us. So don’t ask
Mary if she knew! Ask yourself.
Do you know?
Because it’s not so easy to believe in this Jesus. Not
most days of the week. Turn on the TV and watch those images of women and
children murdered under Civil War in Syria. Read those stories from Egypt of
Coptic Christians martyred for going to church in the same way you are today.
Listen to all the bad that is in the world and don’t turn away, because if
Mary’s song is to matter for our lives it has to speak for moments such as
these. It has to be hope for the downtrodden, because Mary’s hope is their only
hope. They don’t have hope for a better life here—not now, not in the way any
political revolution can change. Nor do they have the power to make right what
has been wrong—what power have we to raise the dead? And because it is their
only hope it is our only hope, because we are connected with one another in
ways that we never fail to undervalue, united as one body not just by flesh and
blood but by the work of God’s spirit through us. Mary’s song is about
flattening the chasm that exists between you and me.
We are one body of Christ, Paul says this, but Mary seems
to have gotten it first! She was the first one to feel that intimate
connection—and of course she would; we are Christ’s body but she was his mother!
And if we’re all connected, then the rich and the poor and the tyrants and
their subjects are one and the same and we are all lost together, all in need
together. There is no getting away from who I am—woefully insignificant—and yet
here is a child who is going to change all that. Not all at once; not always so
that I will see it. But he will take on what I cannot for the sake of the life
I wish I could lead.
The world is about to change. Mary knew it. Somedays so do
we. It doesn’t mean it’s all roses—revolutions never are—but it means that God
has so promised that we are in this together that nothing can separate us any
longer from the love of God, because nothing can separate us from Christ, and
because of Christ nothing can separate us from each other. There will come a
day where these divisions are obliterated. Until then, we seek what Mary knew
in her heart, and we are freed, like Mary, from fear of what it might mean,
because surely God has blessed us.
We know because Mary knew, no matter what the song says.
Ok Pastor Frank...aka Christmas Grinch
ReplyDeleteIn listening to the song and looking at the lyrics for "Mary, Did you Know?"; no where does it say that Mary didn't know. It simply asks the question, Mary did you know? The song makes me think just how great this birth was. The words "add up to me."
The lyrics do not say whether she knew or not; it just makes me more aware of the implications of this birth.
As you said in your sermon, we each have our own opinion. This is a special Christmas song with meaning to me.
Mary, Didn't see this comment until today. I think I need to apologize for this. As you said, this song clearly has meaning to people, and even though I think I can stand by what I said I don't think it needed to be said. I could get to "Mary knew," which I think is very true, without using a song as a foil. This probably falls under the category of times I preached what I felt like preaching without spending more time considering what needed to be said. So for that I apologize.
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